The Baxter Theatre Centre is a vibrant space for the performing arts community in Cape Town, showcasing a diverse line-up of events that celebrate South Africa’s compelling narratives. From the reimagined version of Han Kang’s acclaimed novel “The Vegetarian” to the rich cultural experience of Is’hlahla Sengoma, the theatre promises to captivate audiences. March is set to be a colourful chapter at the Baxter Theatre Centre with a broad spectrum of performances, including the 14th Baxter Zabalaza Theatre Festival, an African musical production, The RAW Experience, Aunty Merle, Spanish Art Song, Cape Town Concert Series, Vuyani Dance Theatre, and Law of Carnage.
Discover a vibrant space for the performing arts community at the Baxter Theatre Centre in Cape Town. With a diverse line-up of events, including the Baxter Zabalaza Theatre Festival, a reimagined version of Han Kang’s acclaimed novel “The Vegetarian” and a rich cultural experience with Is’hlahla Sengoma, this theatre promises to captivate audiences with its celebration of South Africa’s compelling narratives.
Set at the base of a mountain on the lower campus of the University of Cape Town, the Baxter Theatre Centre shines as a beacon of culture for the performing arts community. The Centre’s significant presence in Cape Town serves more than just a stage; it’s a platform that celebrates talents and eloquently retells South Africa’s compelling narratives.
The month of March is poised to be another colourful chapter in the narrative of the Baxter Theatre Centre, with a broad spectrum of performances on the schedule. One such production is a reimagined version of Han Kang’s acclaimed novel, “The Vegetarian”. This tale, which secured the 2016 Man Booker International Prize, revolves around a woman who inexplicably starts avoiding meat, sparking a chain of physical and psychological reactions. The show runs from February 28 to March 15, promising audiences an enthralling exploration of the human mind.
The Baxter Theatre Centre will also once again play host to the Baxter Zabalaza Theatre Festival from March 9 to 15. Now in its 14th year, the festival is set to provide a launchpad for Cape Town’s emerging theatre artisans and is deemed a must-attend event for those interested in discovering the latest theatre phenomena.
Moreover, the Centre will present an exhilarating African musical production, Is’hlahla Sengoma, on March 9. Under the direction of the talented Morapeleng Molekoa, this performance promises to be a rich cultural experience, bringing together diverse art forms such as drumming, dancing, poetry, and singing. It pledges to offer an enriching experience that honours our ancestral roots and the potency of collective melodies.
On the same day, the Baxter Theatre Centre is set to host The RAW Experience (Vol.3), an event curated by Real Art World (RAW). The event will feature an eclectic mix of music, comedy, and poetry. The highlight of the event is a performance by Paxton, a Cape Town-native whose journey from winning Idols South Africa to global fame has been nothing short of astounding.
The Baxter Theatre Centre is also preparing to screen Aunty Merle on the large screen on March 10. This universally acclaimed musical was recorded in front of a live audience last year, and the cast will join the audience to view the film. This novel approach invites fans to actively participate by singing and dancing along, assuring a memorable event for all.
On March 12, Opera UCT, in association with the vocal division of Stellenbosch University, will present a Spanish Art Song. This performance, a result of their previous successful partnerships, is eagerly awaited by opera fans.
Music enthusiasts will be in for a treat on March 16 when the Cape Town Concert Series 2024 presents a programme of chamber music featuring members of the Cape Town Philharmonic Orchestra. This event offers the unique opportunity to witness these acclaimed musicians in a more intimate setting.
The Vuyani Dance Theatre, under the direction of South African native and international choreographer Gregory Vuyani Maqoma, will present Cion: Requiem of Ravel’s Boléro from March 21 to 23. This emotionally rich dance theatre piece, inspired by Zakes Mda’s novel, Cion, and Ravel’s Boléro, promises an enthralling performance that delves into the intricacies of life and death.
The month concludes with Law of Carnage, a tumultuous sequence of fragmented visuals and heightened physical language that runs from March 21 to 30. This multi-dimensional narrative probes reality’s various aspects, prompting questions about humanity and the state’s reliance on violence as a means to control its women.
In summary, March at the Baxter Theatre Centre promises a rich array of performances, creating a vibrant ambiance brimming with diverse artistic expressions. For performing arts enthusiasts in Cape Town, the Baxter Theatre Centre consistently offers a stage that captures South Africa’s significant narratives and showcases extraordinary talent.
The Baxter Theatre Centre is a vibrant space for the performing arts community in Cape Town, showcasing a diverse line-up of events that celebrate South Africa’s compelling narratives.
In March, the Baxter Theatre Centre will host a broad spectrum of performances, including the 14th Baxter Zabalaza Theatre Festival, an African musical production, The RAW Experience, Aunty Merle, Spanish Art Song, Cape Town Concert Series, Vuyani Dance Theatre, and Law of Carnage.
The reimagined version of Han Kang’s acclaimed novel “The Vegetarian” is a play that revolves around a woman who inexplicably starts avoiding meat, sparking a chain of physical and psychological reactions. The show runs from February 28 to March 15.
The Baxter Zabalaza Theatre Festival is a festival that provides a launchpad for Cape Town’s emerging theatre artisans. It will be held from March 9 to 15.
Is’hlahla Sengoma is an African musical production that brings together diverse art forms such as drumming, dancing, poetry, and singing. It will be held on March 9.
Law of Carnage is a tumultuous sequence of fragmented visuals and heightened physical language that probes reality’s various aspects, prompting questions about humanity and the state’s reliance on violence as a means to control its women. It runs from March 21 to 30.
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