The Struggles of Abathandwa: Allegations of Exploitation and Lost Royalties

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exploitation royalties

Ayanda Ncwane, the South African businesswoman and reality TV star, has been accused of exploiting the gospel group Abathandwa and not paying royalties for their hit album “Ehhe moya wam”. The accusations emerged following the group’s departure from Ncwane Communications, Ayanda’s record label, and their transition to Dondolo Music Productions.

The Legacy of Sifiso Ncwane

The late husband of Ayanda, Sifiso Ncwane, played an instrumental role in bringing Abathandwa to Ncwane Communications. However, after Sifiso’s passing, Ayanda struggled to maintain her husband’s business empire and allegedly failed to adequately support Abathandwa.

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Financial Struggles Despite Musical Success

Abathandwa has reported financial struggles despite the success of their music. Percy Nyoka, the group’s leader, spoke of their six-year journey with Ncwane Communications, revealing that they never signed any contracts. Nyoka expressed disappointment over the lack of transparency regarding the revenue generated by their music.

Another member of Abathandwa, Cebile Shandu, accused Ayanda of exploiting the group and using her position of power to her advantage. Shandu lamented the lack of financial benefits earned from their musical success, stating that they have not been able to build homes or improve their lives due to Ayanda’s actions.

Lack of Transparency and Conflict

Nyoka also described the issues that arose when Abathandwa gained recognition and started making money. He claimed that Ayanda was the sole individual with knowledge of the group’s finances and royalties, resulting in conflicts when he attempted to inquire about payments.

No Response from Ayanda

Ayanda Ncwane has not yet responded to the allegations made by her former artists. The saga surrounding Abathandwa and their struggles with Ncwane Communications serves as a cautionary tale for budding musicians in the industry. The importance of transparency, contracts, and fair treatment cannot be overstated, as artists deserve to reap the rewards of their hard work and success.

Liam Fortuin is a Cape Town journalist whose reporting on the city’s evolving food culture—from township kitchens to wine-land farms—captures the flavours and stories of South Africa’s many kitchens. Raised in Bo-Kaap, he still starts Saturday mornings hunting koesisters at family stalls on Wale Street, a ritual that feeds both his palate and his notebook.

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