Harry Belafonte: A Legacy of Activism and Humanitarianism

1 min read
harry belafonte music industry

Harry Belafonte was a trailblazer in the music industry, breaking down barriers for Black artists in the 1950s and 60s. His hits, including “The Banana Boat Song” and “Jump in the Line,” made him an international star and the first Black artist to have a number one album in the United States.

But Belafonte’s legacy goes far beyond his music career. He was a passionate activist for social justice and used his platform to support various causes.

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Activism for Civil Rights

Belafonte was a vocal supporter of the Civil Rights Movement in the United States. He worked closely with Martin Luther King Jr. and other leaders and participated in the 1963 March on Washington. He also raised funds for the movement and used his celebrity status to bring attention to the cause.

Humanitarian Work

Belafonte was also a dedicated humanitarian, using his wealth and influence to support marginalized communities. He was a UNICEF Goodwill Ambassador and founded the organization The Gathering for Justice, which fights for racial and social justice.

Inspiration for the Future

Belafonte’s legacy of activism and humanitarianism continues to inspire people today. His passing is a reminder of the importance of using one’s platform for good, and that activism and art can be intertwined.

As we celebrate his life and legacy, we can be inspired to continue his work in the fight for racial and social justice. There is still much work to be done both in South Africa and around the world, and Belafonte’s legacy reminds us that we can all use our voices to make a difference.

Emma Botha is a Cape Town-based journalist who chronicles the city’s shifting social-justice landscape for the Mail & Guardian, tracing stories from Parliament floor to Khayelitsha kitchen tables. Born and raised on the slopes of Devil’s Peak, she still hikes Lion’s Head before deadline days to remind herself why the mountain and the Mother City will always be her compass.

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