The Marriage of Art and Trade: The Journey of Budding Artists into the Art Market

4 mins read
art market emerging artists

A new exhibition in Woodstock, called “Abantu Abasha”, showcases the skills and innovation of 20 up-and-coming artists while emphasizing the commercial aspect of the art sector. The exhibition functions as the climax of an inventive capacity-building training initiative and offers a platform for networking opportunities. The theme prompts artists to address social issues through their creations and cultivates a community characterized by shared experiences and collective growth. Visits to the exhibition are strictly by appointment only.

What is “Abantu Abasha” exhibition in Woodstock?

“Abantu Abasha” is an annual art exhibition in Woodstock, showcasing the skills and innovation of 20 up-and-coming artists and serving as a tribute to the City’s Department of Community, Arts and Culture Development’s dedication to nurturing fresh artistic talent. The exhibition emphasizes both the artistic and commercial aspects of the art sector, providing a platform for networking opportunities and a practical application of business principles acquired during the program. The theme prompts artists to address social issues through their creations and cultivates a community characterized by shared experiences and collective growth.

Newsletter

Stay Informed • Cape Town

Get breaking news, events, and local stories delivered to your inbox daily. All the news that matters in under 5 minutes.

Join 10,000+ readers
No spam, unsubscribe anytime

The Artistic Heart of Woodstock and The Lab’s Unique Exhibition

Nestled in the heart of Woodstock, a dynamic district renowned for its artistic vibrancy, The Lab currently plays host to an extraordinary art exhibition. This annual display commends the skills and innovation of 20 up-and-coming artists, serving as an enthusiastic tribute to the City’s Department of Community, Arts and Culture Development’s dedication to nurturing fresh artistic talent. The exhibition, which began on 22 April and runs until 3 May, functions not merely as a passive showcase of artistry but as the climax of an inventive capacity-building training initiative.

The Dual Curriculum: Artistry and Business

The fledgling artists participating in the program have been tasked with a double-edged curriculum. Their learning journey has not only involved refining their artistic abilities but also comprehending the commercial aspect of the artistic sector. This dual focal point acknowledges the frequently harsh truth that triumphing as an artist involves more than just creating mesmerizing work; it equally demands an understanding of how to steer through the art market.

“Abantu Abasha” – A New Breed of Artists and Their Creative Endeavor

Branded “Abantu Abasha“, translating to ‘a new generation’, the exhibition serves as a joint effort, offering both a practical application of the business principles acquired during the program and a platform for networking opportunities. The theme provokes artists to plunge into self-introspection, traverse the complicated passageways of their individual psychology, and reemerge with artwork that symbolizes their personal experiences.

This artistic journey was meticulously curated by Richard Kilpert and Devon Anderson, who collaborated closely with the participating artists. The result is a rich mosaic that intertwines various viewpoints and artistic expressions. Every piece stands as a demonstration of the artists’ capacity to not only manifest their unique talent but also address social issues through their creations.

Artistic Expression, Social Commentary and Community Building

As Councillor Patricia van der Ross, the Mayoral Committee Member for Community Services and Health, insightfully indicated, “Art is a wonderful medium to express talent, but also to comment on social issues.” The exhibition goes beyond merely presenting artwork—it promotes a dialogue between the artists, cultivating a community characterized by shared experiences and collective growth.

Acknowledging the artists’ dedication and uncensored self-expression, van der Ross articulated her pride in their eagerness and the level of commitment they showcased throughout the capacity-building initiative. She expressed her gratitude to the participating artists for their teamwork and wished them prosperity in their forthcoming artistic ventures.

Visiting the Exhibition and the Testament to Emerging Talents

Located at 14 Clyde Street, The Lab welcomes visitors from Monday to Friday, from 10:00 a.m. to 3:00 p.m., and on Saturdays from 10:00 a.m. to 2:00 p.m. The exhibition, however, remains closed on Sundays. For those intrigued to immerse themselves in this artistic exhibition, visits are strictly by appointment only.

The “Abantu Abasha” exhibition provides a peek into not only the artistic competence of these emerging talents but also the prospective future of the art world. It illustrates how talent, when properly nurtured and equipped with the right implements, can flourish into something genuinely extraordinary. This display is a joyous commemoration of art, creativity, and human spirit, reminding us that art is not just an embodiment of beauty but also a medium for dialogue, a trigger for transformation, and a potent reflection of society.

What is the “Abantu Abasha” exhibition in Woodstock?

“Abantu Abasha” is an annual art exhibition in Woodstock showcasing the skills and innovation of 20 up-and-coming artists. The exhibition emphasizes both the artistic and commercial aspects of the art sector, providing a platform for networking opportunities and a practical application of business principles acquired during the program.

Where is the exhibition held and what are the timings?

The exhibition is held at The Lab, located at 14 Clyde Street, Woodstock. The timings are from Monday to Friday, from 10:00 a.m. to 3:00 p.m., and on Saturdays from 10:00 a.m. to 2:00 p.m. The exhibition remains closed on Sundays. Visits are strictly by appointment only.

What is the dual curriculum for artists participating in the program?

The artists participating in the program are tasked with a double-edged curriculum. Their learning journey involves refining their artistic abilities and comprehending the commercial aspect of the artistic sector. This dual focus acknowledges the harsh truth that triumphing as an artist involves more than just creating mesmerizing work. It demands an understanding of how to navigate through the art market.

What is the theme of “Abantu Abasha” exhibition?

The theme of the exhibition prompts artists to address social issues through their creations and cultivates a community characterized by shared experiences and collective growth. It encourages artists to dive into self-introspection, traverse the complicated passageways of their individual psychology, and emerge with artwork that symbolizes their personal experiences.

How does the exhibition promote community building?

The exhibition goes beyond merely presenting artwork. It promotes a dialogue between the artists, cultivating a community characterized by shared experiences and collective growth. It provides a platform for networking opportunities and offers a practical application of business principles acquired during the program.

Who curated the exhibition and what is the result?

The exhibition was curated by Richard Kilpert and Devon Anderson, who collaborated closely with the participating artists. The result is a rich mosaic that intertwines various viewpoints and artistic expressions. Every piece stands as a demonstration of the artists’ capacity to not only manifest their unique talent but also address social issues through their creations.

Sizwe Dlamini is a Cape Town-based journalist who chronicles the city’s evolving food scene, from boeka picnics in the Bo-Kaap to seafood braais in Khayelitsha. Raised on the slopes of Table Mountain, he still starts every morning with a walk to the kramat in Constantia before heading out to discover whose grandmother is dishing up the best smoorsnoek that day.

Previous Story

Jacques Kallis: The Cricketing Star with Financial Finesse

Next Story

A Grim Encounter in Philippi: The Steep Price of Providing Vital Services

Latest from Blog

Cape Town’s “Red Wedge”: How a 900-Metre Airport On-Ramp Became South Africa’s Most Watched Kill-Zone

{“summary”: “The \”Red Wedge\” in Cape Town is a dangerous 900meter stretch of airport road. It’s famous for terrible crimes like carjackings and smashandgrabs, making it South Africa’s most watched ‘killzone.’ This area was poorly designed in the 1970s, which now helps criminals ambush cars. Even with many cameras, police struggle to stop the quick attacks. Now, a big wall is being built, and new tech like drones and special apps are helping to fight back against the robbers.”}

South Africa’s 2025 Beef Surge: When Biology, Red Tape and a Thirsty Planet Collide

South African beef prices shot up in 2025, not because of local good news, but because the world ran short of red meat. Fewer cattle everywhere and China’s pork problems made other countries hungry for South African beef. Even with local sickness and people here buying less, farmers made more money. They sold to new places like the Middle East, using special tricks to get around problems. But the future is tricky, with animal sickness, changing weather, and how much money is worth all playing a part in what happens next for South African beef.

A Province That Won’t Stop Knocking on the Constitutional Door

The Western Cape really wants to break away from South Africa, but it’s super hard because of the law. The country’s main rule says South Africa must stay as one, and changing that is almost impossible. Even though many people in the Western Cape feel left behind and want to control their own future, the government keeps saying ‘no’. So, for now, the Western Cape has to find other ways to get more power without leaving the country.

The Invisible Poison Lurking Beneath Sapphire Waves

{“summary”: “Imagine tiny, invisible sea bugs that create a deadly poison. Mussels eat these bugs and become full of this poison, called saxitoxin. If people eat these poisoned mussels, their nerves stop working, and they can’t breathe. This hidden danger is causing big problems for people who gather mussels and for the sea itself, killing lots of sea creatures and making the ocean sick. Scientists are working hard to find ways to spot this silent killer and keep everyone safe.”}